Bossa Nova Guitar: Rhythm Pattern Pdf [repack]

Mastering the Bossa Nova rhythm is a rite of passage for any guitarist looking to move beyond standard strumming. Emerging from the streets of Rio de Janeiro in the late 1950s, this "New Way" (the literal translation of Bossa Nova) blended Brazilian Samba with the cool harmonic structures of Jazz.

If you are looking for a Bossa Nova guitar rhythm pattern PDF, this guide breaks down the essential mechanics you need to internalize before you hit "print." 1. The Anatomy of the Bossa Nova Groove

The magic of Bossa Nova lies in the independence between your thumb and your fingers. Unlike folk or rock strumming, your hand acts as a miniature drum kit:

The Thumb (The Bassist): Mimics the Surdo drum. It usually plays on beats 1 and 3, often alternating between the root and the fifth of the chord.

The Fingers (The Percussionist): Mimic the Tamborim. They pluck the top strings in a syncopated, "stuttering" fashion that creates the rhythmic tension. 2. The Basic 2-Bar Pattern

While there are dozens of variations, the "standard" Bossa pattern is a two-bar phrase. In a 4/4 time signature, the syncopation usually looks like this: Bar 1: Pluck on the 1, the "and" of 2, and the 4. Bar 2: Pluck on the "and" of 1, the 3, and the "and" of 4.

Pro Tip: To get the authentic feel, use your index, middle, and ring fingers to pluck the (usually) D, G, and B strings simultaneously while the thumb handles the E or A string. 3. Essential Bossa Nova Chords

A rhythm pattern is only as good as the chords beneath it. To get that "cloud-like" Brazilian sound, you must move away from standard Major and Minor shapes. Instead, focus on: Major 7th (Maj7) Minor 7th (m7) Dominant 9th (9) Minor 7b5 (Half-diminished)

The use of tensions (9ths, 11ths, and 13ths) provides the sophisticated, "breathless" quality synonymous with legends like João Gilberto. 4. Common Variations

Once you’ve mastered the basic 2-bar loop, you can adapt it to fit the energy of the song:

The Reverse Pattern: Starting with the second bar of the standard pattern to create a different "push" into the phrase.

The Quarter Note Pulse: Keeping the chords steady on every beat for a more driving, Samba-influenced feel. 5. Tips for Practice

Use a Metronome: Set it to a "2" and "4" click to simulate a hi-hat.

Keep it Light: Bossa Nova is about finesse, not power. Use a nylon-string guitar if possible, and pluck with the pads of your fingers for a warm, mellow tone.

Listen to the Masters: Spend time with the album Getz/Gilberto. It is the ultimate masterclass in how the guitar should sit in the mix.

Bossa nova guitar parts typically consist of two distinct layers played simultaneously, mimicking the interaction between a pianist's left and right hands:

Bass Layer (Thumb): Played by the thumb (p) on the 6th or 5th strings. The bass usually hits on beats 1 and 3 (in 4/4 time) or beats 1 and 2 (in 2/4 time).

Chord Layer (Fingers): Played by the index (i), middle (m), and ring (r) fingers plucking the upper strings simultaneously.

Mastering the Bossa Nova Guitar Rhythm: A Complete Guide and Pattern Resource

Bossa Nova emerged from the streets of Rio de Janeiro in the late 1950s, blending the complex syncopation of Samba with the cool harmonies of Jazz. To play it authentically, you must move beyond simple strumming and master the "violão gago" or "stammering guitar" style pioneered by João Gilberto. This article breaks down the essential rhythm patterns, fingerstyle techniques, and provides a framework for your practice. The Foundation of the Bossa Nova Beat

Unlike North American folk or rock, Bossa Nova rhythm is not a repetitive up-and-down motion. It is a dialogue between the thumb and the fingers.

The Pulse (The Thumb): The thumb plays the "surdo" drum part. It usually alternates between the root of the chord and the fifth on beats 1 and 3 of a 4/4 measure. This provides a steady, hypnotic heartbeat.

The Syncopation (The Fingers): The index, middle, and ring fingers pluck the top strings of the chord simultaneously. These "claws" mimic the tamborim patterns of a samba school. The magic happens in the anticipation—hitting chords slightly before or after the beat to create a swaying, "rolling" feel. The Basic 2-Bar Pattern

Most Bossa Nova patterns are felt over two measures. While there are infinite variations, the most common "standard" pattern follows this structure:

Measure 1: Chords fall on beat 1 and the "and" of beat 2.Measure 2: Chords fall on beat 1, the "and" of beat 2, and beat 3.

This creates a push-pull tension that defines the genre’s relaxed yet driving energy. Essential Fingerstyle Technique

To achieve the "cool" sound, put away the pick. Bossa Nova is strictly a fingerstyle genre.

Rest Stroke: Keep your thumb independent. It should move with a heavy, consistent weight.

The Claw: Your three fingers should act as a single unit. Pluck the strings upward with a light, snappy motion.

Muting: Use the palm of your fretting hand to slightly "choke" the chords after they are played. This creates the short, percussive "staccato" sound typical of the style. Harmonic Framework

A rhythm pattern is only as good as the chords it supports. Bossa Nova rarely uses standard Major or Minor triads. To make your rhythm patterns sound authentic, use these chord voicings: Major 7th (Cmaj7) Minor 7th (Dm7) Dominant 9th (G9) Minor 6th (Am6) Diminished 7th

The interplay between the dissonant jazz chords and the swaying rhythm is what creates that sophisticated, tropical atmosphere. How to Practice Using a PDF Pattern

When you download or view a Bossa Nova guitar rhythm pattern PDF, follow these steps to internalize the groove:

Master the Thumb First: Play just the bass line (beats 1 and 3) until you can do it without thinking.

Add the "One": Pluck the chord and the bass note together only on beat 1.

Syncopate Slowly: Gradually add the off-beat "claws." Use a metronome set to a low BPM (around 60-70).

Feel the Sway: Once you have the pattern down, stop thinking about the grid. Bossa Nova should feel like a pendulum, not a machine. Conclusion

The Bossa Nova rhythm is more than just a sequence of notes; it is a feeling of "saudade"—a nostalgic longing. By focusing on the independence of your thumb and the syncopation of your fingers, you can transform your guitar playing into a miniature percussion ensemble. bossa nova guitar rhythm pattern pdf

Julian was a man of digital absolutes. To him, music was not a feeling; it was a sequence of ones and zeros, a series of waveforms to be captured, categorized, and filed away. He worked in the sub-basement of the university library, a place that smelled of dust and ozone, digitizing the estate of obscure ethnomusicologists.

He found the file late on a Tuesday night, buried in a folder labeled "Rio, 1962: The Unrecorded Sessions."

It shouldn’t have been there. The folder was empty, save for one item. The filename was prosaic, almost disappointingly so: bossa_nova_guitar_rhythm_pattern.pdf.

Julian sighed. He had thousands of these. Instructional manuals from the 60s, cheap tablature sheets, DIY zines. They were usually filled with diagrams of clunky chords and arrows indicating upstrokes. He double-clicked the file, expecting a scan of a yellowed pamphlet.

Instead, his high-resolution monitor flickered. The PDF viewer loaded a document that was startlingly crisp. There was no text, no title page. Just a single page of standard notation, rendered in an ink so black it seemed to absorb the light from the screen.

The notation depicted the classic "claw" pattern—the heart of Bossa Nova. Ping-ping-pa-ping. The syncopated rhythm that João Gilberto had plucked from the air and made the soundtrack to heartbreak.

Julian reached for his mouse to scroll down, but the page didn’t move. It was a single-page document.

Then, the cursor began to move on its own.

It didn't drag or jump; it glided. It hovered over the first measure, the half-note bass line on the low E string. The cursor arrow transformed into a small, shimmering icon of a thumb.

Julian pulled his hand back. He wasn't scared—computers glitched all the time—but he was annoyed. He reached for the power strip to force a reboot.

Before his fingers touched the switch, a sound emanated from the tinny, cheap desktop speakers. It wasn't a recording. It was the sound of a thumb striking a nylon string. A deep, woody thump. The note on the screen pulsed a faint, gold color.

Thump.

It was the root note. D flat. The key of desolation.

Julian sat back in his creaking chair. He watched the screen. The cursor moved to the treble clef, to the cluster of notes representing the chord. It hovered over the syncopated off-beat—the "and" of two.

Ching.

The sound was bright, percussive, the flesh of fingers snapping against the fretboard. It wasn't a perfect digital sample. There was a micro-second of fret buzz, the slight squeak of sliding skin. It was a human sound, isolated in a digital vacuum.

The PDF was playing itself.

The rhythm began to build. The visual representation on the screen started to blur, the notation lines fading into a wash of grey, leaving only the note heads bobbing like corks on a wave.

Thump-ching-a-ching-thump.

It was the Bossa Nova. But it wasn't the sterilized, elevator-music version the world knew. This was the math of the rhythm stripped bare. It was a complex interplay of 2/4 and 4/4 time, a mathematical paradox that felt like a heartbeat.

The temperature in the basement dropped. Julian watched his breath mist in the air, but he didn't feel cold. He felt a strange, pulling sensation in his chest. The rhythm on the screen was accelerating, but the tempo wasn't changing. It was the perception of it—the complexity folding in on itself.

The bossa_nova_guitar_rhythm_pattern.pdf was no longer a document. It was a portal.

Suddenly, the standard notation lines dissolved entirely. The black dots of the notes rearranged themselves, swirling into a geometric pattern that looked suspiciously like the pavement of a beach sidewalk. The audio from the speakers widened, expanding beyond stereo. The sound of the guitar was joined by the ambient hiss of a faraway ocean, the distant cry of a gull, the murmur of conversation in Portuguese.

Julian leaned in, mesmerized. He forgot the metadata, the file extensions, the library. He saw a woman in a white dress walking away from the camera, her heels clicking a counter-rhythm to the guitar. He smelled salt and roasting coffee. He felt the humidity sticking his shirt to his back.

This wasn't just a rhythm pattern. This was a moment in time, crystallized into a file format. Someone had not just written the music; they had encoded the saudade—the specific Brazilian longing for something that is gone—into binary code.

The guitar rhythm grew louder, insistent. It was the classic pattern, yes, but played with a hesitancy that suggested the player was about to weep. The cursor on the screen stopped flashing and turned into a solid block of text:

END OF STREAM. SAVE CHANGES?

The image of the beach, the woman, the Rio sun, they began to pixelate, fragmenting back into the sharp, jagged lines of musical notation.

Julian’s hand trembled as he reached for the mouse. He had to save it. He had to catalog it. He clicked "Save."

The screen flashed red.

ERROR: FILE CORRUPTED. DATA LOSS IMMINENT.

"No," Julian whispered. It was the first word he had spoken in hours.

The guitar sound began to warble, slowing down like a tape recorder losing batteries. The beautiful, complex math of the Bossa Nova was unraveling. The warm, woody thump of the bass line turned into a low, digital growl. The bright ching of the chords dissolved into static.

Julian hammered the keys, trying to screenshot the page, trying to capture the notation that was rapidly fading to white. But the document was purging itself.

With a final, pathetic pop from the speakers, the PDF viewer closed.

The screen returned to the desktop background—a default blue field. The folder "Rio, 1962" was empty. The file was gone.

Julian sat in the silence of the basement. The hum of the server rack was the only sound. He quickly navigated to the recycling bin. Empty Mastering the Bossa Nova rhythm is a rite

Part 2: The "Clave" and Core Concept

While Afro-Cuban music often adheres strictly to a "Clave" pattern, Bossa Nova is slightly more flexible. However, it relies heavily on a rhythmic cell that is often referred to as the Bossa Clave.

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The Gentle Swing: Mastering the Bossa Nova Guitar Rhythm Pattern (Free PDF Included)

There’s a specific sound that instantly transports you to a dimly lit Rio de Janeiro jazz club, the sound of waves lapping against Ipanema Beach, or the cool sophistication of a 1960s jazz lounge.

That sound is Bossa Nova.

For guitarists, Bossa Nova is the holy grail of rhythm guitar. It looks simple on paper, but finding the feel—that unique, floating syncopation—is the real challenge.

If you have been searching for a clear, actionable "bossa nova guitar rhythm pattern PDF" , you’ve come to the right place. Today, we are breaking down the essential "one-bar wonder" pattern that powers classics like The Girl from Ipanema.

Let’s dive into the rhythm, the chords, and the secret sauce of the thumb.

Exercise: The Two-Part Drill

To internalize a standard Bossa Nova guitar rhythm pattern PDF, isolate your hands:

• Step 1 (Thumb only): Play the root on beat 1, the fifth on beat 3.
• Step 2 (Fingers only): Play the chord on the "and" of 1, the "and" of 2, beat 4, and the "and" of 4.
• Step 3 (Combine): Slowly melt them together.

Final Tip: The 'Comping' Mindset

In Bossa Nova, you are not a "rhythm guitarist" in the rock sense. You are a drummer and a pianist combined. If you mess up a chord, keep the rhythm going. If you mess up the rhythm, stop and restart.

The pattern in the PDF will get you 80% of the way there. The remaining 20% is relaxing your shoulders and letting the guitar swing.

Download the PDF above, grab your nylon strings, and start your journey to Rio.

Have a specific Bossa tune you are struggling with? Drop a comment below and I’ll tab out the rhythm for the intro.

Bossa nova guitar rhythm patterns are defined by a steady, non-syncopated bass line paired with a highly syncopated chordal accompaniment [5.8, 5.20, 5.26]. Most instructors break this down into "two layers": the thumb playing the bass on the beats and the fingers plucking chord clusters on the off-beats [5.10, 5.23]. Essential Bossa Nova Rhythm Structure

The standard pattern used in jazz and North American notation is typically felt in 4/4 time [5.2, 5.20].

The Bass Line: Usually alternates between the root and the fifth of the chord [5.10, 5.26]. These notes fall consistently on beats 1 and 3 (or every quarter note in some variations) to anchor the "sexy march" feel of the genre [5.8, 5.20, 5.23].

The Chord Pattern: Unlike the steady bass, the fingers pluck the chords in a syncopated fashion. A classic two-bar pattern hit on [5.12, 5.18]: Bar 1: Beat 1, the "and" of 2, and beat 4.

Bar 2: The "and" of 1, beat 3, and beat 4 (often with an anticipation on the "and" of 4) [5.9, 5.18]. Highly Rated PDF Resources

If you are looking for downloadable PDF guides to practice these patterns, the following are reputable sources:

Jens Larsen’s 5 Levels PDF: This guide categorizes patterns from basic one-bar rhythms to complex, two-bar interactions often used in standards like "The Girl from Ipanema" [5.1, 5.4].

Paul Donat’s Bossa Nova for Guitar: A comprehensive document covering the independence between the thumb and fingers, which is critical for achieving an authentic Brazilian feel [5.20].

TrueFire’s Bossa Nova Rhythm Patterns: A concise sheet focused on the relationship between bass movement and chordal "comping" [5.5]. Common Chord Voicings

Bossa nova relies on "jazzier" chord extensions. The 6/9 chord is considered the most essential major sound for the genre [5.11]. Other common shapes include minor 9ths, dominant 13ths, and half-diminished chords [5.7, 5.11].

The Enchanting Bossa Nova Guitar Rhythm Pattern: A Comprehensive Guide

Bossa Nova, which translates to "new wave" or "new style" in Portuguese, is a genre of Brazilian music that emerged in the late 1950s. Characterized by its smooth, melodic rhythms and intimate lyrics, Bossa Nova has become a staple of Brazilian culture and a popular style of music worldwide. At the heart of Bossa Nova lies the guitar, which provides the distinctive rhythmic foundation for this enchanting genre. In this article, we'll delve into the Bossa Nova guitar rhythm pattern, exploring its history, characteristics, and providing a downloadable PDF guide.

History of Bossa Nova Guitar Rhythm

The Bossa Nova guitar rhythm pattern has its roots in traditional Brazilian music, particularly Samba and Choro. However, it was the innovative guitarists of the 1950s and 1960s, such as Antônio Carlos Jobim, Vinicius de Moraes, and João Gilberto, who developed the unique rhythm style that defines Bossa Nova. These musicians experimented with new chord progressions, rhythms, and techniques, creating a fresh and distinctive sound that captivated audiences worldwide.

Characteristics of Bossa Nova Guitar Rhythm

The Bossa Nova guitar rhythm pattern is characterized by:

1. Smooth, flowing rhythms: Bossa Nova music features a relaxed, lilting feel, with a steady, pulsing rhythm that underscores the melodic lines.
2. Use of syncopation: Bossa Nova guitarists often employ syncopation, emphasizing off-beat rhythms and creating a sense of tension and release.
3. Chord progressions: Bossa Nova music frequently employs extended chord progressions, including seventh chords, minor chords, and altered chords, which add harmonic richness and complexity.
4. Fingerpicking technique: Bossa Nova guitarists typically use a fingerpicking technique, with a focus on the thumb, index, and middle fingers.

Bossa Nova Guitar Rhythm Pattern PDF Guide

To help you get started with playing Bossa Nova guitar, we've created a comprehensive PDF guide that includes:

• Basic rhythm patterns: Learn the fundamental rhythm patterns that underpin Bossa Nova music, including the iconic " Antônio Carlos Jobim" pattern.
• Chord progressions: Explore common chord progressions used in Bossa Nova music, including examples from famous songs.
• Fingerpicking techniques: Master the fingerpicking techniques used by Bossa Nova guitarists, including thumb, index, and middle finger exercises.
• Examples and transcriptions: Study transcriptions of famous Bossa Nova songs, including "Girl from Ipanema," "Corcovado," and "Wave."

Download the Bossa Nova Guitar Rhythm Pattern PDF Guide

[Insert link to downloadable PDF guide]

Tips for Playing Bossa Nova Guitar

1. Practice with a metronome: Develop a strong sense of rhythm by practicing with a metronome.
2. Focus on finger independence: Work on finger exercises to improve finger independence and dexterity.
3. Listen to and study Bossa Nova music: Immerse yourself in the music of Bossa Nova and study the playing styles of renowned guitarists.
4. Experiment with chord progressions: Don't be afraid to experiment with new chord progressions and harmonies to create your own unique Bossa Nova sound.

Conclusion

The Bossa Nova guitar rhythm pattern is a rich and complex musical style that has captivated audiences worldwide. With its smooth, flowing rhythms, use of syncopation, and extended chord progressions, Bossa Nova guitar playing offers a rewarding and enjoyable challenge for musicians. By following this guide and practicing with dedication, you'll be well on your way to mastering the enchanting Bossa Nova guitar rhythm pattern.

Bossa nova guitar rhythm is defined by a steady, pulsing bass line played by the thumb and syncopated chord "plucks" played by the fingers Part 2: The "Clave" and Core Concept While

. While traditionally rooted in Brazil's 2/4 feel, it is often notated in 4/4 for jazz standards. Core Rhythm Mechanics The Bass Line (Thumb)

: Plays consistently on beats 1 and 3 in 4/4 time. For a more advanced feel, the bass can alternate between the root (on beat 1) and the fifth of the chord (on beat 3). The Chords (Fingers)

: Use your index, middle, and ring fingers to pluck the top strings simultaneously. The most essential "signature" pattern is a two-bar sequence: : Play on beat 1, the "and" of 2, and beat 4. : Play on the "and" of 1, beat 3, and beat 4. PDF Resources & Guides

Several instructors provide comprehensive PDF guides and workbooks for mastering these patterns:

Bossa nova guitar rhythm PDFs are essential resources for guitarists looking to master the genre's signature "sway". These documents typically focus on the interaction between a steady bassline and syncopated chord plucking. Key Components of Bossa Nova PDFs

Two-Layer Structure: Most high-quality PDFs break the rhythm into two distinct layers: a steady bassline (usually root and fifth) and syncopated chords played on top.

Notation Style: While Brazilian music is often written in 2/4 time, many instructional PDFs use 4/4 notation to make it easier for jazz students to read, placing bass notes on beats one and three.

Progressive Difficulty: Effective guides often start with simple one-bar grooves before moving to more common two-bar patterns that include chord anticipation. Recommended Resources and PDF Guides Jens Larsen's Bossa Nova Guitar Patterns

: A highly-regarded resource that offers a 5-Level PDF guide

covering everything from basic grooves to complex variations. Paul Donat's Bossa Nova for Guitar : This foundational document

is excellent for beginners, focusing on isolating upper rhythms before adding bass notes to develop finger independence. TrueFire Bossa Nova Rhythm Patterns : A visual-heavy PDF

that provides clear charts for standard patterns used in classic tunes. FretDojo’s Bossa Nova Chords

: Offers a free printable PDF focusing on chord progressions and comping techniques essential for jazz guitarists. Performance Tips

Fingers over Picks: Bossa nova is traditionally played on a nylon-string guitar using fingers to achieve its understated, sophisticated sound.

Bass Independence: The thumb and fingers should operate independently, similar to the left and right hands of a piano player.

Listen First: Reviewers suggest listening extensively to artists like João Gilberto and Antônio Carlos Jobim to internalize the "feel" before attempting the technical patterns. Bossa Nova Guitar Rhythm Patterns (Tab Included)

Bossa Nova guitar rhythm is fundamentally characterized by its two-layered "piano-like" approach, where the thumb plays a steady bass line while the other fingers provide syncopated chordal accompaniment . While traditionally felt in , it is frequently written in for easier reading. Core Rhythm Components The Bass Layer (Thumb):

, bass notes typically fall on beats 1 and 3. A standard "authentic" bass line alternates between the of the chord. The Chordal Layer (Fingers): This layer provides the signature "swaying" feel through syncopation

. Chords are often plucked on off-beats (the "and" of the beat) and frequently include anticipation

, where the chord for the next bar is struck an eighth note early (the "and" of beat 4). Common 2-Bar Patterns

Most authentic Bossa Nova patterns span two bars to create a complete rhythmic cycle. Pattern Element Timing (in 4/4) Description Bass (Thumb) Beats 1 and 3 Usually alternates Root-Fifth or repeats Root. Chord Pattern 1 1, 2, (&) of 3 Basic foundational rhythmic cell. Chord Pattern 2 Adds an anticipation strike before the next measure starts. Complete Cycle 2-Bar Variation Bar 1 and Bar 2 differ slightly to create a full loop. Educational Resources & PDF Downloads

You can find comprehensive guides, sheet music, and tabs in the following instructional PDFs: Bossa Nova Guitar Rhythm Patterns (Tab Included)

Bossa nova guitar rhythm relies on a syncopated interplay between a steady bass line played by the thumb and off-beat chord clusters plucked by the fingers. While traditionally written in 2/4 in Brazil, it is commonly notated in 4/4 in jazz contexts to make the syncopation easier to read. Core Rhythmic Components

The Clave: The fundamental "heartbeat" of the rhythm, often felt as a "one two one two and three and four" pattern.

Bass Line: The thumb typically alternates between the root and the fifth of the chord on beats 1 and 3 (in 4/4 time).

Chord Accents: The index, middle, and ring fingers pluck the higher strings simultaneously, focusing on syncopated upbeats (the "and" of the beat) to create the signature "swaying" feel. Standard Rhythm Patterns

A basic two-bar bossa nova pattern often follows this structure: Bar 1: Play on beat 1, the "and" of 2, and beat 4. Bar 2: Play on the "and" of 1, beat 3, and beat 4. Downloadable PDF Resources

Several educational sites provide detailed charts and tabs for these patterns:

Jens Larsen offers a "5 Levels" PDF that progresses from basic grooves to complex variations.

La Guitarra Blog features a comprehensive guide by Paul Donat, including exercises for alternating bass notes.

TrueFire provides a concise PDF with chord-specific rhythm examples for common progressions like Bm7b5cap B m 7 b 5

FreewheelinGuitar offers a downloadable PDF featuring five distinct rhythm variations.

Latin Guitar Mastery includes a PDF focusing on common chord progressions and melodies used in bossa nova. Bossa Nova Guitar Rhythm Patterns (Tab Included)

Variation 1: The Djembe Pattern (Thumb on the 5th string)

Used for chords with roots on the A string (Dm7, G7, Am7).

• Thumb plays: A string (beat 1), D string (beat 2 &)
• Fingers play: The consistent high triplets.

The Ultimate Practice Method

Most guitarists fail at Bossa Nova because they try to play it fast. Here is your 10-minute daily practice routine:

Minute 1-3: Mute the strings. Lay your left hand across the fretboard to mute everything. Play only the thumb pattern: 1... (& of 2)... 1... (& of 2). Get the bass drum/snare relationship in your blood.

Minute 4-6: Add one finger. Keep your thumb going. Add only your middle finger plucking the B string on the "& of 1" and the "a of 2." Do not add the G or high E yet.

Minute 7-9: Full pattern at 60 BPM. Set a metronome to click on beats 2 and 4 (Brazilian style). Play the full pattern. If you mess up, stop, breathe, and start again on beat 1.

Minute 10: Apply to two chords. Play Cmaj7 for 4 bars. Switch to Dm7 for 4 bars. Maintain the thumb movement during the chord change.