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's second studio album, Skin, was released on May 27, 2016, and features a wide range of vocalists and collaborators across its 16 tracks.
One of the most notable features on the album is the Swedish singer on the hit single "Say It". Other Major Features on Skin
The album is known for its "star-studded" cast of guest contributors: : Featured on the lead single "Never Be Like You". Vince Staples : Both appear on the track "Smoke & Retribution". : Featured on the final track, "Tiny Cities". : Featured on "Lose It". AlunaGeorge : Featured on the track "Innocence". Little Dragon : Featured on "Take a Chance". Allan Kingdom : Both featured on the song "You Know". : Featured on "Like Water". : In addition to her collaboration with Vince Staples , she also features solo on "Numb & Getting Colder".
The album received significant acclaim, winning Best Dance/Electronic Album at the 2017 Grammy Awards and Album of the Year at the 2016 ARIA Music Awards.
"Flume" is a popular Australian electronic music producer, and I believe you're referring to his debut studio album, "Flume", which was released in 2012.
However, I'd like to clarify that the term "skin" might not be directly related to the album. After some research, I found that "Skin" is actually a song on Flume's debut studio album, and it's also a vocal collaboration with Kai. flume skin album
If you're looking for more information, here are some key details about Flume's self-titled album:
Would you like more information on Flume, his music, or the album? Or is there something specific you're looking for? I'm here to help!
Here’s a useful post for fans of Flume who want to track down or identify the "Skin" album cover art and alternate versions.
🔍 Flume – "Skin" Album Art: A Quick Guide to Every Version
If you’re searching for Flume’s “Skin” album art – whether for a wallpaper, playlist cover, or to identify a rare vinyl edition – here’s a breakdown of every official variant. 's second studio album, Skin , was released
An album is not just heard; it is seen. The Flume Skin album is inseparably linked to the digital surrealism of Australian artist Jonathan Zawada. The cover art features a bizarre, hyper-realistic 3D flower—puffy and alien—sitting in a sterile void.
This imagery defined the "Skin" era: organic life rendered through a digital, corrupted lens. The music videos for the album (many directed by Clemens Habicht) matched this aesthetic, utilizing glitch art, 3D scanning, and liquid simulations. It was a cohesive world-building effort rarely seen in electronic music.
In the pantheon of electronic music, few albums manage to successfully bridge the gap between underground experimentation and mainstream pop sensibility. Released on May 27, 2016, via Future Classic, Harley Streten—known professionally as Flume—unleashed his sophomore effort: the Skin album.
To simply call Skin a "follow-up" to his 2012 self-titled debut is an understatement. Where the debut introduced a quirky, Future Bass-leaning producer from Sydney, Skin declared Flume as a visionary. Six years after its release, the Flume Skin album remains a benchmark for production quality, emotional depth, and sonic risk-taking.
This article explores the genesis, production techniques, track-by-track breakdown, cultural impact, and lasting legacy of the Skin album. Release date: November 9, 2012 Genre: Electronic, downtempo,
This is where the Flume Skin album flexes its hip-hop muscles. Vince Staples delivers a cynical, rapid-fire verse over a beat that sounds like a dying hard drive. The bass is distorted, the snare is synthetic, and Kucka’s ethereal hook floats above the chaos. It’s aggressive, paranoid, and brilliant.
The lead single and Flume’s biggest commercial hit. At first listen, it’s a sad Future Bass ballad. Kai’s raw vocal about pushing love away contrasts with the euphoric, stuttering drop. Lyrically, it captures the album’s theme of emotional dissonance. The Flume Skin album proved it could dominate Top 40 radio without sacrificing weirdness.
Flume has since released Hi This Is Flume (2019, a mixtape of chaotic beats) and Palaces (2022, a nature-infused album). Both are excellent. However, neither captured the lightning-in-a-bottle balance of accessibility and insanity present in Skin.
Skin sits alongside Discovery (Daft Punk) and In Colour (Jamie xx) as one of the essential electronic albums of the 2010s. It is the sound of a young producer realizing he can break every rule—because the rules were only temporary anyway.
Upon release, the Flume Skin album debuted at No. 1 on the Australian ARIA Charts and No. 8 on the US Billboard 200 (a massive feat for an instrumental-leaning electronic act).
At the ARIA Music Awards of 2017, Skin swept the board, winning:
It also won the Grammy for Best Dance/Electronic Album in 2017, beating out heavyweights like Jean-Michel Jarre and Tycho. This validation from the mainstream industry proved that experimental pop had a place at the table.