The Starboy and Outtatown Drum Kit refers to a collection of sound samples used by producers Starboy and Outtatown, who are widely recognized for their defining work in the "rage" and modern trap subgenres. These kits typically include hard-hitting 808s, sharp claps, and high-frequency synth-based sounds that have become the blueprint for artists like Ken Carson, Destroy Lonely, and Yeat. Core Characteristics
The "Rage" Aesthetic: The sounds are often described as "metal-like" or "electronic," frequently utilizing presets from synths like Serum and Massive.
Production Style: While they often collaborate, Starboy is noted for more melodic, EDM-influenced chord structures, whereas Outtatown focuses on "bouncy" patterns with heavy reliance on accent leads and bass synths. Common Elements: Tempo: Typically ranges from 132 to 146 BPM.
Drum Elements: Distorted 808s (like the "Fat Rio" bass) and metallic percussion sounds are staples.
Accessibility: Many versions of these kits have been circulated within the producer community, sometimes as charitable giveaways or through leaked collections. Impact on the Music Scene
These kits are central to the production of major albums like Ken Carson’s A Great Chaos, where the duo's signature sounds provided the energy for Carson's high-intensity performances. For aspiring producers, these kits serve as a "starter pack" for recreating the "goofy" yet aggressive beats typical of current underground rap.
The Starboy Outtatown Drum Kit is an essential sound collection for producers looking to master the Rage and Hyperpop subgenres. Inspired by the production styles of Anton "Starboy" Mendo and Tobias "Outtatown" Dekker, this kit provides the sonic foundation for the distorted, high-energy beats popularized by artists like Playboi Carti and Ken Carson. Who are Starboy and Outtatown?
Starboy and Outtatown are Dutch producers and members of the producer collective ADRENALINE (formerly known as HYPERPOP). They are widely credited with pioneering the "Rage" sound—a fusion of trap drums with aggressive, synthetic melodies. Their credits include chart-topping tracks such as:
Playboi Carti: "Meh," "Control," and "King Vamp" from Whole Lotta Red.
Ken Carson: "Fighting My Demons," "Jennifer's Body," and "Yale". Lil Uzi Vert: "Futsal Shuffle 2020" and "I'm Sorry". Trippie Redd: "Matt Hardy 999" and "Molly Hearts". Core Sounds of the Kit
A typical Starboy Outtatown-style drum kit focuses on heavy processing and unique digital textures rather than organic percussion. Key components include:
While there isn't a formal academic paper on this specific kit, several detailed breakdowns from production communities and merchants like ProducerWAV highlight its essential role in the Hyperpop and Rage genres. The "Starboy x Outtatown" sound is defined by high-energy, distorted, and synthetic percussion used heavily by artists like Ken Carson and Yeat. Core Components of the Sound Kit
A typical "stash" or drum kit from these producers, such as the starboyrob 2023 drum stash, contains over 700 sounds including: Starboy Outtatown Drum Kit
808s & Bass: High-count (e.g., 260+ 808s) focused on "super-trap" and "rage" styles.
Percussion & Snares: Approximately 50-60 variations each of claps, snares, and percs designed to cut through dense synth melodies.
Sound Design Tools: Often includes MIDI files for hi-hat patterns and FL Studio mixer presets to achieve immediate industry-standard "leveling". Production Techniques & Application
According to expert tutorials on platforms like YouTube, using these kits effectively involves specific technical choices:
Rhythmic Patterns: Drums typically consist of a two-step hi-hat pattern with frequent triplets. Instead of a standard snare, producers often layer a clap with two extra "accent" claps for a punchier feel.
Dynamics: A common "trick" for the signature groove involves putting claps and kicks into a bus to sidechain the hi-hats, ensuring the high-end "ducks" every time a drum hits.
Mixing Style: Starboy's style is often described as "full and cinematic," frequently using chords, while Outtatown relies more on "bouncy" accent leads and bass synths.
Tempo & Scale: Beats are usually set between 132 and 152 BPM, often utilizing the minor pentatonic scale to blend "sadness and happiness". Recommendations for Producers
Check Verified Sources: Authentic kits are often hosted on sites like ProducerWAV or discussed in specialized communities like r/Drumkits.
Layering: Use Serum presets (like "Synth Souls") alongside these drum kits to match the synthetic, "metal-like" texture common in their productions.
Unleash the Hyperpop Sound: The Starboy & Outtatown Drum Kit Essentials
If you’ve been following the meteoric rise of the "New Wave" or "Hyperpop" sound in Hip-Hop, two names stand above the rest: Starboy and Outtatown. Known for their groundbreaking production for artists like Playboi Carti (specifically on the legendary Whole Lotta Red) and Ken Carson, these producers have defined a generation of high-energy, digital, and "addictive" beats. The Starboy and Outtatown Drum Kit refers to
The Starboy & Outtatown Drum Kit is the ultimate toolkit for producers looking to capture that specific, chaotic-yet-refined energy. Here is why this kit is a must-have for your library. ⚡ The Signature Sound
Starboy and Outtatown are masters of the "Opium" aesthetic. While Outtatown often leans into accent leads and bouncy, minimal bass synth sounds (think "Beno!"), Starboy’s style is frequently described as more cinematic and full, often utilizing lush chords and EDM-inspired textures. This kit bridges those two worlds, providing:
Hard-Hitting 808s: The backbone of any Ken Carson type beat, designed to cut through distorted synth melodies.
Unique Percussion: Metal-like sounds and industrial textures that give the drums a futuristic, "static electricity" feel.
Sharp Snares & Claps: Perfectly processed to sit at the front of the mix, a staple of the Hyperpop and Rage subgenres. 🎹 Beyond the Drums
While the drums are the main attraction, the Starboy/Outtatown workflow often involves specific Serum and Massive presets. Producers looking to replicate this sound often look for:
Lead Synths: Gritty, "melee-like" leads that define the melodic structure.
Plucks & Chords: Digital, bright sounds that create the "Starboy" cinematic atmosphere. 🚀 Production Pro-Tips
To get the most out of these sounds, consider these common techniques used by the duo:
Tempo is Key: Aim for a high energy range, typically between 132 BPM and 146 BPM.
Layering: Don't be afraid to layer your claps with metallic "metal-like" foley to get that industrial crunch found in newer underground tracks.
Synth Manipulation: Use the kit in tandem with banks like Octane or Fragile for Serum to match the quality of their professional placements. Where to Find It? Overloading Hi-hats: Starboy beats are sparse
While various versions of these kits have circulated through community forums like r/Drumkits, many producers look for official "Stash" or "Essential" volumes to ensure they are getting high-quality, non-recycled WAV files.
Ready to start making beats like the pros? Grab a kit, fire up FL Studio, and tap into the sound of the future.
Here’s a professional write-up for the Starboy Outtatown Drum Kit, suitable for a producer’s marketplace, blog, or social media drop.
One of the hardest things to replicate in this genre is the snare. This kit typically includes layered claps and snares that blend organic noise with electronic hits. They are perfect for that "trash-can" aesthetic popular in alternative R&B.
In the ever-evolving landscape of modern music production, the line between a "sample pack" and a "signature sound" has never been thinner. For producers aiming to capture the hypnotic, groove-heavy essence of contemporary Afropop, Alté, and global R&B, one name has surfaced as a non-negotiable essential: The Starboy Outtatown Drum Kit.
If you have spent any time dissecting the beats of Wizkid’s Made in Lagos or the ethereal bounce of Rema and Oxlade, you have heard these sounds. But what exactly is this kit, where does it come from, and most importantly, should you buy it?
Let’s dive deep into the textures, the legacy, and the sonic architecture of the Starboy Outtatown Drum Kit.
❌ Using every sound in one beat – This kit has too many textures. Pick 6–8 max.
❌ Not tuning 808s – Always pitch your 808 to the root note of your melody.
❌ Dry snare syndrome – The kit’s snares sound amazing with a little room verb or delay.
❌ Forgetting percs – Without bongos/rimshots, beats sound robotic.
In short: Absolutely.
The Starboy Outtatown Drum Kit is more than just a folder of WAV files; it is a shortcut to a global sound. While purists might argue that you should record your own talking drums, the reality of bedroom production is that you need high-quality, pre-mixed samples to compete.
If you want your beats to land on "Afropop Global" playlists, or if you simply want to add a warm, human bounce to your R&B tracks, this kit is the missing link between "internet producer" and "Starboy level."
Final Verdict: 9/10. Deducting one point only because the abundance of fake/free versions online makes finding the authentic kit a bit of a treasure hunt.
Are you using the Starboy Outtatown kit in your productions? Share your tips in the comments below!